Thursday, September 27, 2007, 8:00 pm
Église Saint-Jean-Baptiste
309, rue Rachel Est [métro Mont-Royal], Montréal, Québec
Photo: Jacques Cabana.
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Coproduction SMCQ / Orgue et Couleurs in collaboration with SMAM and Society for Arts and Technology [SAT]
This event is also featured as part of:
Walter Boudreau takes to the podium with the choir of the Studio de Musique Ancienne de Montréal (SMAM): an occasion that is not to be missed! As part of a scintillating concert given by the Société de Musique Contemporaine du Québec (SMCQ) that will bring together winds, percussion, organ, choir, and a narrator, the celebrated, red-shod conductor will set aside his own group for the time it takes to perform two works — to bring Claude Vivier alive with a whole choir of voices. A celestial experience at the centre of one fiery musical event!
Presentation as part of Montréal/New Music’s “Série Hommage.”
Claude Vivier, Ô! Kosmos! (1973)
choir and soprano
Commission: Iseler Singers
Claude Vivier, Jesus erbarme dich (1974)
choir and soprano
Jean Lesage, Fanfare: «… und was ist denn Musik?» (1988)
three horns, four trumpets, three trombones and tuba
Michel Gonneville, HoMa (2007) (premiere)
twentu-four winds, five percussions, and pipie organ
Commission: SMCQ
Walter Boudreau, Golgot(h)a (1990) (Raôul Duguay, libretto)
two trumpets, two horns, two trombones, tuba, sampled solo voice, sampled mixed choir (SATB), organ, and five percussions
Commission: Société Radio-Canada (SRC)
Gilles Tremblay, Musique du feu (1991)
solo piano, flute (and piccolo), two flutes, three oboes, clarinet, clarinet (and clarinet in E-flat), clarinet (and bass clarinet), three bassoons, four horns, three trumpets, two trombones, bass trombone, two tubas and six percussions
Commission: SMCQ, with support from the CCA
The SMCQ has been moving in step with the lively rhythms of new music for over forty-five years. With its regular concert season, its Série hommage (Homage Series), an international festival, and a young listener’s programme, the society has served both as a platform for today’s composers and as a window on creative works for everyone.

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