Friday, October 16, 2009, 8:00 pm
Chapelle historique du Bon-Pasteur
100, rue Sherbrooke Est [métro Sherbrooke + autobus 24 Ouest / métro Saint-Laurent + autobus 55 Nord], Montréal, Québec
Info: 514-872-5338
Photo: Carl Valiquet.
Production Chapelle historique du Bon-Pasteur
From flute to hyper flute by way of some digital twists and turns, Cléo Palacio-Quintin reinvents her instrument. This year’s composer-in-residence at the Chapelle Historique du Bon-Pasteur opens her season with an autobiographical concert made up of key works from her career, including a salute to Gilles Tremblay with his work Envol. The event provides a wide-angled view of a multi-talented artist… and of her surprisingly astonishing instrument.
Gilles Tremblay, “Envol” (1986), extract from Les Vêpres de la Vierge (1986)
flute
Cléo Palacio-Quintin, Dansar en stjärna av sin blick (1997)
flute
Robert Dick, Recombinant Landscapes (1988)
Cléo Palacio-Quintin, L’alchimie de Psyché (2007; orch. 2007) (Cléo Palacio-Quintin, orchestration)
hyper-bass flute
Cléo Palacio-Quintin, Protée ou les quatre virus en plastique mou (2009) (Bertrand Laverdure, libretto)
hyper-flute, viola da gamba, processing, and recorded voice
Commission: Productions (sic), with support from the CCA
Cléo Palacio-Quintin, Tableaux de Kandinsky (2008)
hyper-flute, and tape
Michel Frigon, Relax (2008)
Combining electronics with flutes (“hyper flutes”) and viola da gamba, Fiolûtröniq’s devotion to new music allows audiences to discover unique repertoire at each of its concerts.
The SMCQ has been moving in step with the lively rhythms of new music for over forty-five years. With its regular concert season, its Série hommage (Homage Series), an international festival, and a young listener’s programme, the society has served both as a platform for today’s composers and as a window on creative works for everyone.
even_detail@hommage2009_26614 generated in Montréal by litk
0.600 on Wednesday, April 10, 2013. Development & maintenance: DIM.