March 14 & March 19, 2010

Marie-Hélène Breault

Photo: Danielle Giguère.

Coproduction Erreur de type 27 / Chapelle historique du Bon-Pasteur

Travel through Mixed Spaces where the instrumental, electronic, and theatrical merge: flautist and artistic director of Erreur de Type 27, Marie-Hélène Breault comes to us from Quebec City to present (alongside various collaborators) an event that stands at the crossroads of various sounds and disciplines. On the programme: great classics from here, with our tribute composer and Yves Daoust, and new works created precisely for this unique encounter — an absolute must!

With the support of the Conseil des arts et des lettres du Québec

Concert Dates

Programme

  • Yves Daoust, Adagio (1986)

    flute, and tape

    Commission: Lise Daoust, with support from the CCA

  • Martijn Voorvelt, Narcolepsy (premiere)

    flute

  • Gilles Tremblay, «… le sifflement des vents porteurs de l’amour» (1971)

    flute and percussion

  • Analía Llugdar, La Machi (2008, 10) (Leonel Lienlaf, libretto) (premiere)

    flutes, voice, looks, and tape

  • Karlheinz Stockhausen, Zungenspitzentanz”, Nr 53 ex 9 (1983), extract from Luzifers Tanz, Nr 53 (1983)

    piccolo

    Solo electronium (1st version)

Erreur de Type 27 promotes contemporary music in the Quebec City region by offering programmes that reflect a range of genres and aesthetic sensibilities, delivered by highly talented performers who strive to reinvent concert rituals.

Composing in the Present!

The SMCQ has been moving in step with the lively rhythms of new music for almost fifty years. With its regular concert season, its Série hommage (Homage Series), an international festival, and a young listener’s programme, the society has served both as a platform for today’s composers and as a window on creative works for everyone.

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