March 14 & March 19, 2010
Photo: Danielle Giguère
Coproduction Erreur de type 27 / Chapelle historique du Bon-Pasteur
Travel through Mixed Spaces where the instrumental, electronic, and theatrical merge: flautist and artistic director of Erreur de Type 27, Marie-Hélène Breault comes to us from Quebec City to present (alongside various collaborators) an event that stands at the crossroads of various sounds and disciplines. On the programme: great classics from here, with our tribute composer and Yves Daoust, and new works created precisely for this unique encounter — an absolute must!
With the support of the Conseil des arts et des lettres du Québec
Parc des Champs-de-Bataille, Quebec City, Québec
418-643-2150
Venue’s web site at
mnba.qc.ca
100, rue Sherbrooke Est [métro Sherbrooke + autobus 24 Ouest / métro
Saint-Laurent + autobus 55 Nord], Montréal, Québec
514-872-5338
Venue’s
web site at ville.montreal.qc.ca
Yves Daoust, Adagio (1986)
flute, and tape
Commission: Lise Daoust, with support from the CCA
Martijn Voorvelt, Narcolepsy (premiere)
flute
Gilles Tremblay, «… le sifflement des vents porteurs de l’amour» (1971)
flute and percussion
Analia Llugdar, La Machi pour flûtes, voix, électroniques et regard (2010) (premiere)
flutes, voice, looks, and tape
Karlheinz Stockhausen, Zungenspitzentanz (1983)
solo piccolo
solo electronium (1st version)
Erreur de Type 27 promotes contemporary music in the Quebec City region by offering programmes that reflect a range of genres and aesthetic sensibilities, delivered by highly talented performers who strive to reinvent concert rituals.
even_detail@hommage2009_26635 generated in Montréal by litk
0.600 on Thursday, February 2, 2012. Development & maintenance: DIM.