April 12 to April 14, 2012

Studio multimédia — Conservatoire

4750, avenue Henri-Julien [métro Laurier / métro Mont-Royal], Montréal, Québec

Tickets: 514-873-4031 poste 313

Tickets

  • Regular: $22.00
  • Senior: $12.00
  • Student: $12.00

Photo: Céline Côté.

Production SuperMusique

Written for voice and percussion, these musical fables with no clearly defined moral serve as question marks, featuring mythical animals, geniuses, and gods. Danielle Palardy Roger revisits Sokolović’s Sirènes, amongst other works. An iconoclastic tribute, Palardy Roger also celebrates Gauvreau, Vivier and Jutras, in an evening devoted to the unexpected and a thousand curiosities.

Concert Dates

  • Thursday, April 12, 2012
    • 8:00 pmStudio multimédia — Conservatoire, Montréal, Québec

      4750, avenue Henri-Julien [métro Laurier / métro Mont-Royal], Montréal, Québec
      Tickets: 514-873-4031 poste 313

  • Friday, April 13, 2012
    • 8:00 pmStudio multimédia — Conservatoire, Montréal, Québec

      4750, avenue Henri-Julien [métro Laurier / métro Mont-Royal], Montréal, Québec
      Tickets: 514-873-4031 poste 313

  • Saturday, April 14, 2012
    • 4:00 pmStudio multimédia — Conservatoire, Montréal, Québec

      4750, avenue Henri-Julien [métro Laurier / métro Mont-Royal], Montréal, Québec
      Tickets: 514-873-4031 poste 313

Programme

  • Danielle Palardy Roger, Fables de La Breuvoir (2011-12) (Danielle Palardy Roger, libretto) (premiere)

    voice, and percussion

    • 1. La Breuvoir
    • 2. Le chapeau du tricéphale (Hommage aux trois Claude: Vivier, Jutra, Gauvreau)
    • 3. Ana et le centaure
      • 1. Le centaure Pékapé
      • 2. La rencontre d’Ana (Hommage à Ana Sokolović)
      • 3. Ana oh Ana (Hommage à Ana Sokolović) (2010)
    • 4. Les amoures (Hommage à Juliette Gréco)
    • 5. Gertrude the Cow (Hommage à Gertrude Stein)
    • 6. Épilogue, le rêve du renard

Fervent supporter of all music marginalized by academic convention, SuperMusique presents concerts devoted to new music, improvisation and sonic experiments.

Composing in the Present!

The SMCQ has been moving in step with the lively rhythms of new music for almost fifty years. With its regular concert season, its Série hommage (Homage Series), an international festival, and a young listener’s programme, the society has served both as a platform for today’s composers and as a window on creative works for everyone.

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