Thursday, September 15, 1988
Le Spectrum de Montréal
318, rue Sainte-Catherine Ouest, Montréal, Québec
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Edgard Varèse, Intégrales (1924-25)
piccolos, oboes, clarinets, horns, trumpets, trombones and percussions
Frank Zappa, The Perfect Stranger (1982)
two flutes (and alto flutes), two oboes (and English horns), two clarinets, bass clarinet, bassoon, two horns, two trumpets, two trombones, tuba, harp, two pianos (and celestas), three percussions, three violins, two violas, two cellos and double bass
Luc Brewaeys, Due cose belle ha il mondo: l’amore e la morte (1986, 88)
solo piano, flute (and alto and bass flutes), oboe (and English horn), clarinet (and bass clarinet), bassoon (and double bassoon), tenor saxophone, baritone saxophone, horn, trumpet, trombone, tuba, electric guitar, bass guitar, harp, three percussions, two violins, viola, cello, double bass, and processing
Claude Vivier, Bouchara (1981)
soprano, wind quintet, string quintet and percussion
Pierre Boulez, Domaines (1968)
solo clarinet, flute, oboe, bass clarinet, bassoon, alto saxophone, horn, trumpet, two trombones, alto trombone, bass trombone, electric guitar, harp, marimba, two violins, two violas, two cellos and double bass
The SMCQ has been moving in step with the lively rhythms of new music for almost fifty years. With its regular concert season, its Série hommage (Homage Series), an international festival, and a young listener’s programme, the society has served both as a platform for today’s composers and as a window on creative works for everyone.
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